 | Up a level |
Leen, Catherine (2023) Chicana Lesbians and Ovarian Psycos: “The squad you been warned about”. Journal of Lesbian Studies. pp. 1-12. ISSN 1089-4160
Leen, Catherine (2014) The Sound of Silence: The corrido as Counterculture in Felipe Cazals’ Canoa. Modern Languages Open, 1 (2). pp. 1-16. ISSN 2052-5397
Leen, Catherine (2011) New forms of beauty. Irish Arts Review, 28 (3). pp. 60-61. ISSN 1649-217X
Leen, Catherine (2009) Mining the Landscape. Irish Arts Review, 26 (4). pp. 60-61. ISSN 1649-217X
Leen, Catherine (2009) Space Exploration. Irish Arts Review, 26 (2). pp. 70-71. ISSN 1649-217X
Leen, Catherine (2008) City of Fear: Reimagining Buenos Aires in Contemporary Argentine Cinema. Bulletin of Latin American Research, 27 (4). pp. 465-482. ISSN 0261-3050
Leen, Catherine (2007) The Caballero Revisited: Postmodernity in The Cisco Kid, The Mask of Zorro, and Shrek II. Bilingual Review, 28 (1). pp. 23-35. ISSN 00945366
Leen, Catherine (2004) Borders, batons locos and barrios: Space as Signifier in Chicano Cinema. NUI Maynooth Papers in Spanish, Portuguese and Latin American Studies, 11. pp. 1-24.
Leen, Catherine (2002) Deracination and Acculturation; the Border in Chicano Film Practice. Film and Film Culture, 1. pp. 87-95. ISSN 1649-1580
Leen, Catherine (2018) From Don Juan to Dolores Huerta: Foundational Chicana/o Films. In: The Routledge Handbook of Chicana/o Studies. Routledge, New York, pp. 459-483. ISBN 9781138847873
Leen, Catherine (2017) Beyond the Spitfire: Re-visioning Latinas in Sylvia Morales’ A Crushing Love. In: Latin American Women Filmmakers: Production, Politics, Poetics (Tauris World Cinema Series). I.B. Tauris & Co Ltd, pp. 99-114. ISBN 9781784537111
Leen, Catherine (2017) Kissing the Spiderwoman and Loving the Awful Grandmother: Popular Culture in Manuel Puig’s El beso de la mujer araña and Sandra Cisneros’s Caramelo. In: The Routledge Companion to Inter-American Studies. Routledge, pp. 187-197. ISBN 9781138184671
Leen, Catherine (2013) The Silenced Screen: Fostering a Film Industry in Paraguay. In: Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film. Tamesis, Woodbridge, pp. 155-180. ISBN 9781855662612
Leen, Catherine (2012) Familia Fictions: Writing the Family in Tomás Rivera's ...And the Earth Did Not Swallow Him and Sandra Cisneros's Caramelo. In: Critical Insights: Family. Salem Press, pp. 665-82. ISBN 978-1-4298-3734-
Leen, Catherine (2012) Independent Cinema and Globalization: the Case of Paraguay. In: Power, Place and Representation: Contested Sites of Dependence and Independence in Latin America (Hispanic Studies: Culture and Ideas). Peter Lang AG. ISBN 978-3-0343-0710-9
Leen, Catherine (2011) Stories from the “Hem of Life”: Contesting Marginality in Sandra Cisneros’s The House on Mango Street and Toni Morrison’s The Bluest Eye. In: Critical Insights: The House on Mango Street. Salem Press. ISBN 9781587657177
Leen, Catherine (2010) How Not to Make a Mexican Musical: Luis Buñuel and the Perils of Mexicanidad. In: Exploring Transculturalism: A Biographical Approach. Springer VS, pp. 97-113. ISBN 9783531172866
Leen, Catherine (2009) The Final Frontier: Guillermo Gómez-Peña’s The Great Mojado Invasion. In: Imagined Transnationalism. U.S. Latino/a Literature, Culture, and Identity. Palgrave Macmillan, US, pp. 221-235. ISBN 978-0-230-10332-0
Leen, Catherine (2008) 'Una herida que no cicatriza: The Border as Interethnic Space in Mexican, North American and Chicano Cinema'. In: Borders and Borderlands in Contemporary Culture. Cambridge Scholars Publishing, pp. 56-71. ISBN 9781443802680
Leen, Catherine (2007) Trial by Media: Zoot Suit and the Career of Luis Valdez. In: Nuevas aportaciones a los estudios teatrales (del siglo de Oro a nuestros días). Universidad de Alcalá. Servicio de Publicaciones, pp. 153-165. ISBN 9788481387483
Leen, Catherine (2002) Three Border Films: El Mariachi, El Jardin del Eden and Lone Star. In: Cultura Popular: Studies in Spanish and Latin American Popular Culture. Peter Lang, pp. 97-112. ISBN 9780820456126
