MURAL - Maynooth University Research Archive Library



    (Not) getting the credit: women, liminal subjectivity and resisting neoliberalism in documentary production


    O'Brien, Anne (2017) (Not) getting the credit: women, liminal subjectivity and resisting neoliberalism in documentary production. Media, Culture and Society, 40 (5). pp. 673-688. ISSN 0163-4437

    [img]
    Preview
    Download (88kB) | Preview


    Share your research

    Twitter Facebook LinkedIn GooglePlus Email more...



    Add this article to your Mendeley library


    Abstract

    Women experience positive engagements with documentary as an enclave that values their gendered contribution, but also suffer negative encounters with it as a genre that restricts their full involvement, by promoting masculinist practices as normative. This gendered dynamic means that women occupy a liminal space with regard to documentary. Women’s liminal status is experienced negatively in a number of ways: first, during commissioning, where their approach to narrative, budgets and directing are questioned; second, in terms of work relationships where they are required to be relentlessly ‘likeable’; and third, when credits for work performed are withheld. Women’s subjective identities are constructed around this negative liminal positioning but it can become a position or form of positive adaptation to gendered and neoliberal subjectivity in their working lives. Resistance occurs when women conduct practices such as, first, enhancing the status of affective labour; second, when they undo or reject working through normative hierarchies; and third, when they collaborate in documentary production to negate neoliberal logics of individualization. Liminality, thus, constitutes both a way of understanding women’s negative experiences of gender inequality in documentary production but also a potentially positive form of resistance to the gendered precarity that characterizes creative labour.

    Item Type: Article
    Keywords: documentary; gender; labour; liminality; precarity; production;
    Academic Unit: Faculty of Arts & Humanities > School of English, Media & Theatre Studies > Media Studies
    Faculty of Social Sciences > Research Institutes > Maynooth University Social Sciences Institute, MUSSI
    Item ID: 11725
    Identification Number: https://doi.org/10.1177/0163443717734405
    Depositing User: Anne O'Brien
    Date Deposited: 18 Nov 2019 12:05
    Journal or Publication Title: Media, Culture and Society
    Publisher: Sage
    Refereed: Yes
    URI:
    Use Licence: This item is available under a Creative Commons Attribution Non Commercial Share Alike Licence (CC BY-NC-SA). Details of this licence are available here

    Repository Staff Only(login required)

    View Item Item control page

    Downloads

    Downloads per month over past year

    Origin of downloads