Pramaggiore, Maria
(2001)
Bi Film-Video World High and Low.
Journal of Bisexuality, 2 (2-3).
pp. 243-266.
ISSN 1529-9716
Abstract
This essay examines two recent U.S. films that explicitly
connect art and women’s bisexuality: Kevin Smith’s Chasing Amy
(1997) and Lisa Cholodenko’s High Art (1998). The affiliation between
bisexuality and art reflects a paradox: an erotics of refusing distinctions,
bisexuality acts as a metaphor for both the breakdown of sexual categories
and the blending of high art and low entertainment. Yet bisexuals are
subjects presumed to know; experimental, and, therefore, experienced,
they are better equipped to make distinctions. In these films, one important
aesthetic and sexual distinction revolves around the notion of the
“real.”
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