Veling, Louise
(2022)
Producing Humans: An
Anthropology of Social and
Cognitive Robots.
PhD thesis, National University of Ireland Maynooth.
Abstract
In this thesis, I ask how the human is produced in robotics research,
focussing specifically on the work that is done to create humanoid robots
that exhibit social and intelligent behaviour. Robots, like other technologies,
are often presented as the result of the systematic application of progressive
scientific knowledge over time, and thus emerging as inevitable, ahistorical,
and a-territorial entities. However, as we shall see, the robot’s existence as a
recognisable whole, as well as the various ways in which researchers
attempt to shape, animate and imbue it ‘human-like’ qualities, is in fact the
result of specific events, in specific geographical and cultural locations.
Through an ethnographic investigation of the sites in which robotics
research takes place, I describe and analyse how, in robotics research,
robotics researchers are reflecting, reproducing, producing, and sometimes
challenging, core assumptions about what it means to be human.
The dissertation draws on three and a half years of ethnographic
research across a number of robotics research laboratories and field sites in
Ireland, the United Kingdom, and the United States between April 2016 and
December 2019. It also includes an investigation of the sites where robotics
knowledge is disseminated and evaluated, such as conferences and field test
sites. Through a combination of participant and non-participant observation,
interviews, and textual analysis, I explore how the robot reveals
assumptions about the human, revealing both individual, localised
engineering cultures, as well as wider Euro-American imaginaries.
In this dissertation, I build on existing ethnographies of laboratory
work and technological production, which investigate scientific laboratories
as cultural sites. I also contribute to contemporary debates in anthropology
and posthumanist theory, which question the foundational assumptions of
humanism. While contemporary scholarship has attempted to move beyond
the nature/culture binary by articulating a multitude of reconfigurations and
boundary negotiations, I argue that this is done by neglecting the body.
In order to address this gap, I bring together two complementary
conceptual devices. First, I employ the embodiment philosophy of Maurice
Merleau-Ponty (2012; 1968) particularly his emphasis on the body as a site
of knowing the world. Second, I use the core anthropological concept of the
‘fetish’ as elaborated by William Pietz (1985). By interrogating the robot as
‘fetish’, I elaborate how the robot is simultaneously a territorialised,
historicised, personalised, and reified object. This facilitates an exploration
of the disparate, and often contradictory nature, of the relations between
people and objects.
In my thesis, I find many boundary reconfigurations and dissolutions
between the human and the robot. However, deviating from the relational
ontology dominant in the anthropology of technology, I discover an
enduring asymmetry between the human and the robot, with the living body
emerging as a durable category that cannot be reasoned away. Thus, my
thesis questions how the existing literature might obscure important
questions about the category of the human by focusing disproportionately
on the blurring and/or blurred nature of human/non-human boundaries.
Ultimately, I argue for a collaborative and emergent configuration of the
human, and its relationship with the world, that is at once both relational
and embodied.
This dissertation is structured as follows. An initial introductory
chapter is followed by a chapter documenting the literature review and
conceptual framework. This is followed by four chapters that correspond to
the four aspects of the fetish in Pietz’s model: Historicisation,
Territorialisation, Reification and Personalisation. These chapters alternate
between scholarly sources and ethnographic data. In Historicisation, using
existing scholarship, I trace the history of the robot object, including the
continuities and discontinuities that led to its creation, as well as the futures
that are implicated in its identity. This is followed by the Territorialisation
chapter, in which ethnographic data is used to interrogate the robot’s
materiality, as well as the spaces in which it is built, modified, and tested.
The next chapter, Reification, considers the robot as a valuable object
according to institutions and the productive and ideological systems of
Euro-American imaginaries. This chapter integrates ethnographic detail
with existing scholarship to focus on contrasts between the dominant image
of imminent super-human intelligence and the human interventions and
social relationships necessary to produce the illusion of robot autonomy.
Finally, the chapter Personalisation brings ethnographic attention to the
intensely personal way that the robot-as-fetish is experienced in an
encounter with an embodied person, understood through the lens of
Merleau-Ponty’s embodiment philosophy. In the final chapter, I draw
together the various strands to articulate how understanding the robot as a
fetish, underscored by Merleau-Ponty’s embodiment phenomenology, can
provide useful resources for developing an alternative understanding of the
human in anthropology without dissolving it all together.
Item Type: |
Thesis
(PhD)
|
Keywords: |
Producing Humans; Anthropology; Social and
Cognitive Robots; |
Academic Unit: |
Faculty of Social Sciences > Anthropology |
Item ID: |
16031 |
Depositing User: |
IR eTheses
|
Date Deposited: |
31 May 2022 15:13 |
URI: |
|
Use Licence: |
This item is available under a Creative Commons Attribution Non Commercial Share Alike Licence (CC BY-NC-SA). Details of this licence are available
here |
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