Cleary, Joe
(1999)
Domestic Troubles: Tragedy and the Northern Ireland Conflict.
The South Atlantic Quarterly, 98 (3).
pp. 501-537.
ISSN 0038-2876
Abstract
Domestic tragedy, conventionally associated with the sensibility of the emergent metropolitan
middle classes, has never been held in very high esteem by Marxian critics. In recent times,
many critics on the Left have tended to regard the whole genre of tragedy, with its supposedly
elitist sensibility and leanings toward an apocalyptic conception of history, in a rather dim light.
It was not always so, of course. Marx shared the enthusiasm of his age and class for classical
Greek and Shakespearean tragedy, and some of the greatest Marxist cultural critics of this
century, such as Georg Lukács, Walter Benjamin, and Raymond Williams, have written about
tragedy in quite positive terms.
Here, I want to look at three dramas, all of a tragic character or design, that deal with the
conflict in Northern Ireland: St. John Ervine’s Mixed Marriage (1911), which can be
considered a domestic tragedy; Sam Thompson’s Over the Bridge (1960), which, although set
in the more “masculine” space of the Belfast shipyards, tells a story about the way sectarianism
impedes the development of class politics in Northern Ireland that is quite similar to Ervine’s;
and The Riot Act: [End Page 501] A Version of Sophocles’ Antigone (1984) by Tom Paulin,
which adapts one of the great Greek tragedies to the Northern situation. When considered in
conjunction with each other, these plays demonstrate some of the different ways in which
various types of tragic drama utilize the family and the distinction between public and private
spheres as well as, more generally, suggesting some of the ways in which different types of
tragic narrative structure our broad perceptions of class and sectarian conflict in Northern
Ireland.
Item Type: |
Article
|
Keywords: |
Domestic Troubles; Tragedy; Northern Ireland; Conflict; |
Academic Unit: |
Faculty of Arts,Celtic Studies and Philosophy > School of English, Media & Theatre Studies |
Item ID: |
4655 |
Depositing User: |
Joe Cleary
|
Date Deposited: |
10 Dec 2013 12:45 |
Journal or Publication Title: |
The South Atlantic Quarterly |
Publisher: |
Duke University Press |
Refereed: |
Yes |
URI: |
|
Use Licence: |
This item is available under a Creative Commons Attribution Non Commercial Share Alike Licence (CC BY-NC-SA). Details of this licence are available
here |
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