MURAL - Maynooth University Research Archive Library

    Domestic Troubles: Tragedy and the Northern Ireland Conflict

    Cleary, Joe (1999) Domestic Troubles: Tragedy and the Northern Ireland Conflict. The South Atlantic Quarterly, 98 (3). pp. 501-537. ISSN 0038-2876

    Download (235kB) | Preview

    Share your research

    Twitter Facebook LinkedIn GooglePlus Email more...

    Add this article to your Mendeley library


    Domestic tragedy, conventionally associated with the sensibility of the emergent metropolitan middle classes, has never been held in very high esteem by Marxian critics. In recent times, many critics on the Left have tended to regard the whole genre of tragedy, with its supposedly elitist sensibility and leanings toward an apocalyptic conception of history, in a rather dim light. It was not always so, of course. Marx shared the enthusiasm of his age and class for classical Greek and Shakespearean tragedy, and some of the greatest Marxist cultural critics of this century, such as Georg Lukács, Walter Benjamin, and Raymond Williams, have written about tragedy in quite positive terms. Here, I want to look at three dramas, all of a tragic character or design, that deal with the conflict in Northern Ireland: St. John Ervine’s Mixed Marriage (1911), which can be considered a domestic tragedy; Sam Thompson’s Over the Bridge (1960), which, although set in the more “masculine” space of the Belfast shipyards, tells a story about the way sectarianism impedes the development of class politics in Northern Ireland that is quite similar to Ervine’s; and The Riot Act: [End Page 501] A Version of Sophocles’ Antigone (1984) by Tom Paulin, which adapts one of the great Greek tragedies to the Northern situation. When considered in conjunction with each other, these plays demonstrate some of the different ways in which various types of tragic drama utilize the family and the distinction between public and private spheres as well as, more generally, suggesting some of the ways in which different types of tragic narrative structure our broad perceptions of class and sectarian conflict in Northern Ireland.

    Item Type: Article
    Keywords: Domestic Troubles; Tragedy; Northern Ireland; Conflict;
    Academic Unit: Faculty of Arts & Humanities > School of English, Media & Theatre Studies
    Item ID: 4655
    Depositing User: Joe Cleary
    Date Deposited: 10 Dec 2013 12:45
    Journal or Publication Title: The South Atlantic Quarterly
    Publisher: Duke University Press
    Refereed: Yes
    Use Licence: This item is available under a Creative Commons Attribution Non Commercial Share Alike Licence (CC BY-NC-SA). Details of this licence are available here

    Repository Staff Only(login required)

    View Item Item control page


    Downloads per month over past year

    Origin of downloads