Hickey-Moody, Anna (2015) Slow life and ecologies of sensation. Feminist Review, 111. pp. 140-148. ISSN 0141-7789
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Abstract
This piece is a mobilisation of, and response to, Puar's timely rejuvenation of the idea of debility.
I explore some limits of Puar's (2009, 2012) take on debility, arguing for an ecology of sensation
as a methodology for thinking and feeling through what I call a political economy of 'slow life'.
Thinking through slow lives, those lived in crip time (Küppers, 2014, pp. 51-52), is a way of
valuing how 'disabled' bodies and subjectivities experience and reproduce the world. Implicit in
this suggestion is the belief that disabled bodies and embodied subjectivities experience and
reproduce the world in ways that show up limits in popular sensory and spatial geographies
and economies. The idea of a political economy of slow life is my response to Puar's (2012) and
Berlant's (2007, 2011) respective suggestions that the biopolitical control of disabled,
debilitated, obese and queer populations is effected through a governmental assumption (and
production) of a slow death. I also write in response to the important question posed by Goodley
et al. (2014, p. 982), who ask, 'what alternatives does disability offer to the slow death of
neoliberalism and false politics of austerity?'. In short, I propose a slow temporal ecology
of sensory aesthetics that is posited by cultures of intellectual disability as a materialist critique
of slow death.
Item Type: | Article |
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Keywords: | Slow life; ecologies; sensation; |
Academic Unit: | Faculty of Arts,Celtic Studies and Philosophy > School of English, Media & Theatre Studies > Media Studies |
Item ID: | 19781 |
Depositing User: | Anna Hickey-Moody |
Date Deposited: | 06 May 2025 14:50 |
Journal or Publication Title: | Feminist Review |
Publisher: | Sage |
Refereed: | Yes |
Related URLs: | |
URI: | https://mural.maynoothuniversity.ie/id/eprint/19781 |
Use Licence: | This item is available under a Creative Commons Attribution Non Commercial Share Alike Licence (CC BY-NC-SA). Details of this licence are available here |
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