In this paper we compare the performance of a number of different templates for the purposes of split point identification of various clarinet envelopes. These templates were generated with Attack-Decay-Sustain-Release (ADSR) descriptions commonly used in musical synthesis, along with a set of real templates obtained using k-means clustering of manually prepared test data. The goodness of fit of the templates to the data was evaluated using the Dynamic Time Warping (DTW) cost function, and by evaluating the square of the distance of the identified split points to the manually identified split points in the test data. It was found that the best templates for split point identification were the synthetic templates followed by the real templates having a sharp attack and release characteristic, as is characteristic of the clarinet envelope.