Morris, Christopher
(2015)
The Mute Stones Sing: Rigoletto Live from Mantua.
TDR: The Drama Review, 59 (4).
pp. 51-66.
ISSN 1054-2043
Abstract
“At the time and in the place of the action.” This is the tagline of a series of opera broadcasts transmitted live on European television. Each is shot in the locations depicted in the opera, its broadcast staggered so that each act airs at the time of day specified in the libretto. What are the material and performative implications of this overdetermined authenticity of time and place, this mediatized encounter between opera stage and reality TV?
Item Type: |
Article
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Keywords: |
Rigoletto Live from Mantua; opera broadcasts; television; performance; |
Academic Unit: |
Faculty of Arts,Celtic Studies and Philosophy > Music |
Item ID: |
7629 |
Identification Number: |
https://doi.org/10.1162/DRAM_a_00496 |
Depositing User: |
Christopher Morris
|
Date Deposited: |
18 Nov 2016 11:59 |
Journal or Publication Title: |
TDR: The Drama Review |
Publisher: |
MIT Press Journals |
Refereed: |
Yes |
URI: |
|
Use Licence: |
This item is available under a Creative Commons Attribution Non Commercial Share Alike Licence (CC BY-NC-SA). Details of this licence are available
here |
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