Cullen, Adam
(2008)
Schubert’s Chamber Music as a Road
towards the Symphony.
Maynooth Musicology: Postgraduate Journal, 1.
pp. 99-120.
Abstract
I have tried my hand at several instrumental works, for I wrote two
quartets for violins, viola and ‘cello, and an octet, and I want to write
another quartet, in fact, I intend to pave my way towards [a] grand
symphony in that manner . . .
Thus wrote Franz Schubert on 31 March 1824 to his friend, the painter,
Leopold Kupelwieser. The ‘grand symphony’ is understood to mean the
‘Great’ C major Symphony (D944) which we habitually number his
Ninth. The two completed quartets mentioned are the ‘Rosamunde’
Quartet in A minor (D804) and the ‘Death and the Maiden’ Quartet in D
minor (D8 io ). The octet is catalogued as D803 and the proposed
quartet is the G major Quartet (D887). This latter work was not
composed until 1826 and therefore may not have contributed to the
composition of the ‘Great’ C major Symphony of 1825-1826.
Item Type: |
Article
|
Keywords: |
Schubert; Chamber Music; Road; Symphony; Maynooth Musicology; |
Academic Unit: |
Faculty of Arts,Celtic Studies and Philosophy > Music |
Item ID: |
9458 |
Depositing User: |
IR Editor
|
Date Deposited: |
08 May 2018 16:05 |
Journal or Publication Title: |
Maynooth Musicology: Postgraduate Journal |
Publisher: |
Maynooth Musicology |
Refereed: |
Yes |
URI: |
|
Use Licence: |
This item is available under a Creative Commons Attribution Non Commercial Share Alike Licence (CC BY-NC-SA). Details of this licence are available
here |
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