Carty, Brian
(2009)
Multi-channel and binaural spatial audio:
an overview and possibilities of a unified
system.
Maynooth Musicology: Postgraduate Journal, 2.
pp. 281-298.
Abstract
Multi-channel reproduction of spatial audio can be approached in
several ways. Typically, several loudspeakers are placed in a listening
space and a discrete signal is sent to each. Many loudspeaker
configurations and signal capturing/generation techniques exist.
Systems vary from the omni-prevalent two channel stereo to large Wave
Field Synthesis loudspeaker arrays. Stereo and quadraphonic
spatialization algorithms are typically based on amplitude panning,
which has recently been extended using vector based techniques. Other
approaches include Ambisonics, which employs spherical harmonics to
decompose the sound field, and Wave Field Synthesis, which is based
on the Huygens Principle of Wave Propagation. Respective systems can
be critically assessed based on attributes such as spatial accuracy,
complexity and practicality.
| Item Type: |
Article
|
| Keywords: |
Multi-channel; binaural spatial audio;
overview; possibilities; unified system; Maynooth Musicology; |
| Academic Unit: |
Faculty of Arts,Celtic Studies and Philosophy > Music |
| Item ID: |
9483 |
| Depositing User: |
IR Editor
|
| Date Deposited: |
15 May 2018 11:11 |
| Journal or Publication Title: |
Maynooth Musicology: Postgraduate Journal |
| Publisher: |
Maynooth Musicology |
| Refereed: |
Yes |
| URI: |
|
| Use Licence: |
This item is available under a Creative Commons Attribution Non Commercial Share Alike Licence (CC BY-NC-SA). Details of this licence are available
here |
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