The article discusses two very different examples of German post-imperial writing as manifestations of a colonialist imaginary that was both retrospective / nostalgic and futuristic / aspirational. They serve to illustrate how colonialist discourse after 1918 shaped attitudes towards colonial space in ways that survived the next historical caesura, that of 1945. Some of the animal stories from former German East Africa assembled in Rudolf Sendke’s book of reminiscences (1925) enact an idealized benevolent and respectful, yet determined and capable role of Germans in unruly and dangerous colonial space, while Adolf Kaempffer, 15 years later, devises a vision of the perfect National Socialist society based on social engineering and racial segregation to be created in an imaginary regained German South-West Africa