Brown, Melanie (2004) The Compositional Style of Francis Poulenc An Exploration of the Text and Music of Chansons Gaillardes. Masters thesis, National University of Ireland Maynooth.
Preview
Available under License Creative Commons Attribution Non-commercial Share Alike.
Download (30MB) | Preview
Abstract
Francis Poulenc is invariably associated with music of the 1920s in Paris. His name is
inextricably linked with those ofhis five contemporaries Darius Milhaucl, Georges Auric,
Arthur Honneger, Louis Durey, and Germaine Tailleferre, who, together with Poulenc,
formed Les Six, supplanting most other French composers in the collective awareness of
most listeners in respect of that era. However, Les Six was a contrived and short-lived
medium for publicity. Poulenc's career as a composer was already established before the
advent of the concept of Les Six, and endured for more than forty years afterwards, in
which he composed prolifically, including large-scale works for stage, film scores and
solo pieces in his eventual output.
A passionate lover ofpoetry, Poulenc immersed himself in French verse throughout his
life, and devoted much time and effort to setting poetic texts to music in his songs and
song cycles. Chansons Gaillardes, the main subject of this thesis, was written in the mid-
1920s, and was a composition with which the composer was especially pleased.
Poulenc's decadent lifestyle at this time was in keeping with the images and attitudes
apparent throughout the collection of eight seventeenth century poems chosen for the text
ofthis cycle. It is probably for this reason that the texts are handled with considerable
sympathy, and that the composer could derive such pleasure from the end result.
This thesis begins by examining Poulenc's background and formative influences in
Chapter One. Chapter Two puts Chansons Gaillardes into historical context within
Poulenc's most significant compositions, and provides an overview of the song cycle. A
more detailed discussion of the work will ensue in Chapter Three. My account of
Chansons Gaillardes seeks to analyse the style and content of Poulenc's compositional
techniques within this particular song-cycle; to examine the effectiveness ofhis textsetting;
finally, to demonstrate how eight songs ofvarying mood, length and structure are
cohesively brought together to form one single cycle.
| Item Type: | Thesis (Masters) |
|---|---|
| Additional Information: | Thesis submitted as part fulfilment for M.Litt. in Music (Composition) |
| Keywords: | Compositional Style; Francis Poulenc; Exploration; Text; Music; Chansons Gaillardes; |
| Academic Unit: | Faculty of Arts,Celtic Studies and Philosophy > Music |
| Item ID: | 21186 |
| Depositing User: | IR eTheses |
| Date Deposited: | 12 Feb 2026 13:21 |
| Use Licence: | This item is available under a Creative Commons Attribution Non Commercial Share Alike Licence (CC BY-NC-SA). Details of this licence are available here |
Downloads
Downloads per month over past year
Share and Export
Share and Export