Cullen, Adam (2008) Schubert’s Chamber Music as a Road towards the Symphony. Maynooth Musicology: Postgraduate Journal, 1. pp. 99-120.
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Abstract
I have tried my hand at several instrumental works, for I wrote two
quartets for violins, viola and ‘cello, and an octet, and I want to write
another quartet, in fact, I intend to pave my way towards [a] grand
symphony in that manner . . .
Thus wrote Franz Schubert on 31 March 1824 to his friend, the painter,
Leopold Kupelwieser. The ‘grand symphony’ is understood to mean the
‘Great’ C major Symphony (D944) which we habitually number his
Ninth. The two completed quartets mentioned are the ‘Rosamunde’
Quartet in A minor (D804) and the ‘Death and the Maiden’ Quartet in D
minor (D8 io ). The octet is catalogued as D803 and the proposed
quartet is the G major Quartet (D887). This latter work was not
composed until 1826 and therefore may not have contributed to the
composition of the ‘Great’ C major Symphony of 1825-1826.
Item Type: | Article |
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Keywords: | Schubert; Chamber Music; Road; Symphony; Maynooth Musicology; |
Academic Unit: | Faculty of Arts,Celtic Studies and Philosophy > Music |
Item ID: | 9458 |
Depositing User: | IR Editor |
Date Deposited: | 08 May 2018 16:05 |
Journal or Publication Title: | Maynooth Musicology: Postgraduate Journal |
Publisher: | Maynooth Musicology |
Refereed: | Yes |
URI: | https://mural.maynoothuniversity.ie/id/eprint/9458 |
Use Licence: | This item is available under a Creative Commons Attribution Non Commercial Share Alike Licence (CC BY-NC-SA). Details of this licence are available here |
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