B

Brunstrom, Conrad (2006) 'Leaving the Herd': How Queer was Cowper. British Journal for Eighteenth Century Studies, 29. pp. 157-167. ISSN 0141-867X

Brunstrom, Conrad and Cassidy, Tanya M. (2012) 'Scorn Eunuch Sports': Class, Gender and the Context of Early Cricket. Journal for Eighteenth-Century Studies, 35 (2). pp. 223-237. ISSN 1754-0194

Byrne, Sarah (2017) The ‘Marae on Paper’: The Meeting House in the Anglophone Fiction of the Maori Renaissance. PhD thesis, National University of Ireland Maynooth.

C

Carville, Elizabeth (2018) The Representation of Celtic Tiger Irish Masculinity in Hollywood Cinema: 1994-2008. PhD thesis, National University of Ireland Maynooth.

Corley, Ide (2016) An Interview with Zanele Muholi. Wasafiri, 31 (1). pp. 22-29. ISSN 1747-1508

Corley, Ide and Fallon, Helen and Cox, Laurence (2018) Silence Would Be Treason Last writings of Ken Saro-Wiwa (2nd Edition). Daraja Press. ISBN 78-1-988832-04-3

Corley, Ide and Fallon, Helen and Cox, Laurence (2017) Silence Would Be Treason. Last writings of Ken Saro-Wiwa. Daraja Press. ISBN 978-1-988832-04-3

Cosgrove, Brian (2006) Keeping the Faith: The Transformative Autonomy of Literature and the Uniqueness of Literary Discourse. In: What Price the University? Perspectives on the Meaning and Value of Higher Education from the National University of Ireland, Maynooth. National University of Ireland Maynooth, Maynooth, Ireland, pp. 47-56. ISBN 0901519766

Cronin, Michael (2013) Oscar's Mirror. Irish Literary Review, 32 (2). pp. 11-12. ISSN 0733-3390

D

Denman, Peter (2004) Ferguson, Sir Samuel (1810-1886). In: Oxford Dictionary of National Biography. Oxford University Press, UK.

Denman, Peter (2004) Symposium: Robert Lowell's Collected Poems. Metre, 15. pp. 112-113.

E

English, Bridget (2014) Death and Dying in the Modern Irish Novel: Studies in Form and Meaning from James Joyce to Anne Enright. PhD thesis, National University of Ireland Maynooth.

F

Fogarty, Matthew (2016) Centenary Readings of A Portrait of the Artist as a Young Man Conference, 5–6 May 2016. Dublin James Joyce Journal, 9 (1). pp. 137-140.

Fogarty, Matthew (2018) ‘Most foul, strange and unnatural’: Refractions of Modernity in Conor McPherson’s The Weir. The Irish Journal of Gothic and Horror Studies, 17. ISSN 2009-0374

G

Gallagher, Ciara (2011) Transforming Limits: Home, Literary Activism and Engagement in South Asian Literature. PhD thesis, National University of Ireland Maynooth.

H

Harney, Theresa (2014) “Coloured” Pasts in Post-Apartheid South African Fiction: Slavery, Gender, and Anachronism. PhD thesis, National University of Ireland Maynooth.

Howell, Sonia (2012) Partners in Practice: Contemporary Irish Literature, World Literature and Digital Humanities. PhD thesis, National University of Ireland Maynooth.

M

Murtagh, Shane (2015) Digital Critical Editing, Digital Text Analysis, and Charles R. Maturin’s Melmoth the Wanderer. PhD thesis, National University of Ireland Maynooth.

O

O'Neill, Stephen (2017) “In fair [Europe], where we lay our scene” Romeo and Juliet, Europe and digital cultures. In: Romeo and Juliet in European Culture. John Benjamins Publishing Company, pp. 283-300. ISBN 9789027264787

O'Neill, Stephen (2018) "Shakespeare’s Digital Flow: Humans, Technologies and the Possibilities of Intercultural Exchange". Shakespeare Studies, 46. pp. 120-133.

R

Ryan, Marie-Therese (2016) Biopolitics, Borders and the Populations of Literary Space in Two Post-millennial Black British Novels: Abdulrazak Gurnah’s By the Sea and Andrea Levy’s The Long Song. Masters thesis, National University of Ireland Maynooth.

T

Trehy, Bernadette (2011) In Ruin Unreconciled: Women Writers and the End of the British Empire. PhD thesis, National University of Ireland Maynooth.

V

Van Der Ziel, Stanley (2017) John McGahern, Post-Revival Literature and Irish Cultural Criticism. New Hibernia Review, 21 (1). pp. 123-142. ISSN 1092-3977