 | Up a level |
Boydell, Barra (2004) The most crabbed of all earthly music: the performance of Bach's vocal music in Dublin in the nineteenth and early twentieth centuries. Irish Musical Studies, 8. pp. 229-246.
Brandtsegg, Oyvind and Saue, Sigurd and Lazzarini, Victor (2018) Live Convolution with Time-Varying Filters. Applied Sciences, 8 (1). ISSN 2076-3417
Bridges, Brian (2008) Product of Culture-Clash: social scene, patronage and group dynamics in the early New York Downtown scene and the Theatre of Eternal Music. Maynooth Musicology: Postgraduate Journal, 1. pp. 215-244.
Brogan, Eileen (2009) Subjective identity in the operas of James Wilson. Maynooth Musicology: Postgraduate Journal, 2. pp. 172-189.
Buckley, Ann (2008) Musical Monuments from Medieval Meath. Records of Meath Archaeological and Historical Society, X1X. pp. 23-42.
Bunzel, Anja (2014) Johanna Kinkel's Pedagogical Approaches as a Socio-Political Mirror of Her Time. Musicological Explorations, 14. pp. 27-58. ISSN 1711-9235
Bunzel, Anja (2015) ‘Johanna Kinkel’s Political Art Songs as a Contribution to the Socio-Cultural Identity of the German Democratic Movement during the Late 1840s’. Focus on German Studies, 22.
Bunzel, Anja (2016) ‘Johanna Kinkel’s Trinklied für Männerchor: A Reactive Response to Nineteenth-Century Music Criticism?’. The Musicology Review, 9. ISSN 1649-6108
Bunzel, Anja (2014) Review: Johanna Kinkel. Eine Auswahl aus ihrem literarischen Werk. Zum 200. Geburtstag der Komponistin und Schriftstellerin (Bonn, 1810 - London, 1858). Zusammengestellt von Monica· Klaus. Hrsg. von, Ingrid BodsCh. Bonn: StadtMuseum Bonn 2010; 127 S., Abb., brosch., € 14,- (€ 10,-im StadtMuseum Bonn). Internationales Jahrbuch der Bettina-von-Arnim-Gesellschaft, Band 26/27. pp. 225-227. ISSN 978-3-930293-26-1
Bunzel, Anja and Kubeckova, Barbora (2014) Vaclav Jan Tomasek (1774-1850): A Versatile Lieder Composer? A Comparative Analysis of Selected Goethe Settings by Carl Friedrich Zeiter, Vaclav Jan Tomasek and Johanna Kinkel. Musicologica Olomucensia, 20. pp. 15-36. ISSN 1212-1193
Byrne, Cathy (2009) Towards analytical synthesis: folk idioms, motivic integration and symmetry in B61a Bartok’s Concerto for Orchestra (1943). Maynooth Musicology: Postgraduate Journal, 2. pp. 190-219.
Byrne Bodley, Lorraine (2009) Review: Paul Bertagnolli, Prometheus in Music: Representations of the Myth in the Romantic Era. Journal of the Society for Musicology in Ireland , 5. pp. 101-108. ISSN 1649-7341
Byrne Bodley, Lorraine (2016) In Pursuit of a Single Flame? On Schubert’s Settings of Goethe’s Poems. Nineteenth-Century Music Review, 13 (1). pp. 11-33. ISSN 1479-4098
Byrne Bodley, Lorraine (2005) A Musical Cornucopia: Thirty Years of Correspondence between Goethe and Zelter. Publications of the English Goethe Society, 74 (1). pp. 3-24. ISSN 0959-3683
Byrne Bodley, Lorraine (2015) A Place at the Edge: Reflections on Schubert’s Late Style. Oxford German Studies, 44 (1). pp. 18-29. ISSN 1745-9214
Byrne Bodley, Lorraine (2009) Prometheus in Music: Representations of the Myth in the Romantic Era. Journal of Society for Musicology in Ireland, 5. pp. 101-108. ISSN 1649-7341
Byrne Bodley, Lorraine (2006) Review: Goethes Musiktheater: Singspiele, Opern, Festspiele, ‘Faust’. By Tina Hartmann. pp. x + 583. Hermaea, NF 105. (Niemeyer, Tübingen, 2004, €86. ISBN 3-484-15105-6.). Music and Letters, 87 (3). pp. 433-437. ISSN 0027-4224
Byrne Bodley, Lorraine (2015) Review: Elisabeth Krimmer and Patricia Anne Simpson, eds., Religion, Reason, and Culture in the Age of Goethe. Studies in German Literature, Linguistics, and Culture. Rochester, NY: Camden House, 2013. Goethe Yearbook, 22.
Byrne Bodley, Lorraine (2015) Review: Rentsch, Ivana, and Klaus Pietschmann, eds. Schubert: Interpretationen. Stuttgart: Franz Steiner, 2014. 234 pp. German Quarterly, 88 (3). p. 379. ISSN 0016-8831
Byrne Bodley, Lorraine (2003) Revisiting Claudine: Schubert’s GoetheSingspiel. Proceedings of the Conference ‘Goethe and Schubert in Perspective and Performance’. ISSN 190450504X
Byrne Bodley, Lorraine (2016) Schubert Familiar and Unfamiliar: Continuing Conversations. Nineteenth-Century Music Review, 13. pp. 3-9. ISSN 1479-4098
Byrne Bodley, Lorraine (2014) Tradition und Überschreitungen Carl Eberweins Vertonung von Johann Wolfgang von Goethes Proserpina. MusikTheorie, 29. pp. 333-352. ISSN 0177-4182
Byrne Bodley, Lorraine (2013) Wandermotive in Schuberts Goethe-Liedern. Schubert Jahrbuch.
Byrne Bodley, Lorraine (2008) The Witness of Poetry: Schubert’s Songs of Rhapsody and Reflection. Nineteenth-Century Music Review, 5 (2). pp. 148-153. ISSN 1479-4098
Byrne Bodley, Lorraine and Krobb, Florian (2014) Introduction: Musical Responses to Goethe's Faust. Publications of the English Goethe Society, 83 (2). pp. 75-76. ISSN 0959-3683
Carthy, Brian and O'Connell, Pat and Strahan, Barbara (2009) Maynooth Musicology: Postgraduate Journal. Maynooth Musicology Postgraduate Journal, 2.
Carty, Brian and Lazzarini, Victor (2009) Binaural HRTF Based Spatialisation: New Approaches and Implementation. DAFx 09 proceedings of the 12th International Conference on Digital Audio Effects, Politecnico di Milano, Como Campus, Sept. 1 - 4, Como, Italy. pp. 1-6.
Carty, Brian (2008) Artificial Simulation of Audio Spatialisation: Developing a Binaural System. Maynooth Musicology: Postgraduate Journal, 1. pp. 271-296.
Carty, Brian (2009) Multi-channel and binaural spatial audio: an overview and possibilities of a unified system. Maynooth Musicology: Postgraduate Journal, 2. pp. 281-298.
Cascelli, Antonio (2007) I preludi 1, 2 e 15 dell'op. 28 di Chopin: un'analisi in prospettiva metaforica. Studi Musicali. pp. 161-189. ISSN 2037-6413
Cascelli, Antonio (2018) L'orfeo: Memory, recollection and the tragedy of choosing between seeing and hearing. Philomusica on-line, 17. pp. 273-308. ISSN 1826-9001
Cascelli, Antonio (2018) Place, Performance and Identity in Monteverdi’s Combattimento di Tancredi e Clorinda. Cambridge Opera Journal, 29 (2). pp. 152-188. ISSN 0954-5867
Clancy, Annette and Cullen, John G. and Hood, Alison and McGuinness, Claire (2021) Student Engagement With Experiential Learning in Large Classes. Journal of Management Education, 45 (3). pp. 340-343. ISSN 1052-5629
Clancy, Annette and Cullen, John G. and Hood, Alison and McGuinness, Claire (2021) Teaching Perspectives on Experiential Learning in Large Classes. Journal of Management Education, 45 (5). pp. 685-689. ISSN 1052-5629
Commins, Adele (2009) Charles Villiers Stanford’s Experiences with and contributions to the solo piano repertoire. Maynooth Musicology: Postgraduate Journal, 2. pp. 139-171.
Commins, Adele (2008) From Child Prodigy to Conservative Professor?: Reception Issues of Charles Villiers Stanford. Maynooth Musicology: Postgraduate Journal, 1. pp. 28-58.
Conway, Eoin (2009) Signature characteristics in the piano music of John Adams. Maynooth Musicology: Postgraduate Journal, 2. pp. 220-235.
Cullen, Adam (2009) Dialectic process and sonata form in Schubert’s A minor String Quartet, D804. Maynooth Musicology: Postgraduate journal, 2. pp. 40-70.
Cullen, Adam (2008) Schubert’s Chamber Music as a Road towards the Symphony. Maynooth Musicology: Postgraduate Journal, 1. pp. 99-120.
Cullen, John G. and Clancy, Annette and Hood, Alison and McGuinness, Claire (2019) Experiential Learning in Large Classes. Journal of Management Education Special Issue, 43 (4). pp. 471-476.
De Lima, Maria Helena and Keller, Damian and Soares Pimenta, Marcello and Lazzarini, Victor and Manara Milleto, Evandro (2012) Creativity-centred design for ubiquitous musical activities: two case studies. Journal of Music, Technology and Education, 5 (2). pp. 195-222. ISSN 1752-7066
Dignam, Barbara (2008) The Development of a Combinational Model for the Analysis of Acousmatic Music. Maynooth Musicology: Postgraduate Journal, 1. pp. 245-270.
Dignam, Barbara and Higgins, Paul and Parker, Lisa (2008) Maynooth Musicology: Postgraduate Journal. Maynooth Musicology Postgraduate Journal, 1.
Glover, John C. and Lazzarini, Victor and Timoney, Joseph (2011) Real-Time Detection of Musical Onsets with Linear Prediction and Sinusoidal Modelling. EURASIP Journal on Advances in Signal Processing (68). pp. 1-13. ISSN 1687-6172
Glover, John C. and Lazzarini, Victor and Timoney, Joseph (2009) SIMPL: A Python Library for Sinusoidal Modelling. DAFx 09 proceedings of the 12th International Conference on Digital Audio Effects, Politecnico di Milano, Como Campus, Sept. 1 - 4, Como, Italy. pp. 1-4.
Gubbins, Helen and O'Halloran, Sarah and Kearney, Daithí and Dore, Anne M and Magner, Emily and Murphy, Estelle (2008) A Forum for the Practice of Musicology in Ireland. British Postgraduate Musicology, 9.
Halton, Jennifer (2008) A Feminist Icon: Celebrating the Life and Work of Isabella Andreini and the Commedia dell’arte in Renaissance Italy. Maynooth Musicology: Postgraduate Journal, 1. pp. 78-98.
Higgins, Paul (2009) Benjamin Britten: art song, a synthesis of words and music — issues and approaches to text-setting. Maynooth Musicology: Postgraduate Journal, 2. pp. 1-18.
Higgins, Paul (2008) Benjamin Britten’s absorption of and contribution to the Lied tradition. Maynooth Musicology: Postgraduate Journal, 1. pp. 140-153.
Hodgkinson, Matthieu and Wang , Jian and Timoney, Joseph and Lazzarini, Victor (2009) Handling inharmonic series with median-adjustive trajectories. DAFx 09 proceedings of the 12th International Conference on Digital Audio Effects, Politecnico di Milano, Como Campus, Sept. 1 - 4, Como, Italy . pp. 1-7.
Hood, Alison (2012) Ambiguity of Tonal Meaning in Chopin’s Prelude op. 28, no. 22. Music Theory Online, 18 (3.8). pp. 1-9. ISSN 1067-3040
Hood, Alison (2011) Engaging students in the assessment process in large groups. Large group teaching - the local context.. pp. 19-21.
Hood, Alison (2010) Objectifs et réalisations compositionnels dans la Barcarolle de Chopin : une forte cohérence structurale et un défi pour I'interpretation. Analyse Musicale, 62 (34). pp. 34-41. ISSN 0295-3700
Hood, Alison (2012) Whose responsibility is it? Encouraging student engagement in the learning process. Music Education Research, iFirst article. pp. 1-22. ISSN 1461-3808
Hood, Alison (2016) Chopin Online. Nineteenth-Century Music Review, 13 (2). pp. 327-335. ISSN 1479-4098
Kehoe, Joe (2009) Introduction: 'At tending to the Way Things Are' : Frankfurtian Reflections on Truth and Musicology. Maynooth Musicology: Postgraduate Journal, 2. xiii-1.
Keller, Damian and Lazzarini, Victor (2017) Ecologically Grounded Creative Practices in Ubiquitous Music. Organised Sound, 22 (SI1). pp. 61-72. ISSN 1355-7718
Keller, Damian and Lazzarini, Victor (2017) Theoretical Approaches to Musical Creativity: The Ubimus Perspective. Musica Theorica, 2 (1). pp. 1-53. ISSN 2525-5541
Keller, Damian and Schiavoni, Flávio and Lazzarini, Victor (2019) Ubiquitous music: Perspectives and challenges. Journal of New Music Research, 48 (2). pp. 1-7. ISSN 0929-8215
Kelly, Philip (2009) Gender identity and the electric guitar in heavy metal music. Maynooth Musicology: Postgraduate Journal, 2. pp. 251-280.
Kenny, Aisling (2008) Considering Music and Poetry in Josephine Lang’s Goethe Lieder. Maynooth Musicology: Postgraduate Journal, 1. pp. 121-139.
Kenny, Aisling (2009) Tensions between the ‘serious’ and the ‘popular’ in music: Josephine Lang’s compositional environment. Maynooth Musicology: Postgraduate Journal, 2. pp. 71-87.
Kleimola, Jari and Lazzarini, Victor and Valimaki, Vesa and Timoney, Joseph (2011) Feedback Amplitude Modulation Synthesis. EURASIP Journal on Advances in Signal Processing (434378). ISSN 1687-6172
Lazzarini, Victor and Timoney, Joseph (2010) New Perspectives on Distortion Synthesis for Virtual Analog Oscillators. Computer Journal Music, 34 (1). pp. 28-40. ISSN 0148-9267
Lazzarini, Victor and Timoney, Joseph and Kleimola, Jari and Välimäki, Vesa (2009) Five Variations on a Feedback Theme. DAFx 09 proceedings of the 12th International Conference on Digital Audio Effects, Politecnico di Milano, Como Campus, Sept. 1 - 4, Como, Italy. pp. 1-7.
Lazzarini, Victor and Timoney, Joseph and Pekonen, Jussi and Välimäki, Vesa (2009) Adaptive Phase Distortion Synthesis. DAFx 09 proceedings of the 12th International Conference on Digital Audio Effects, Politecnico di Milano, Como Campus, Sept. 1 - 4, Como, Italy. pp. 1-8.
Lazzarini, Victor (2014) Des Programmes Faust Dans Csound. Revue francophone d'informatique musicale, 4. ISSN 2261-8589
Lazzarini, Victor (2013) The Development of Computer Music Programming Systems. Journal of New Music Research, 42 (1). pp. 92-110. ISSN 0929-8215
Lazzarini, Victor (2014) Faust Programs in Csound. Revue francophone d'informatique musicale (4). ISSN 2261-8589
Lazzarini, Victor (2020) Parallel computation of time-varying convolution. Journal of New Music Research, 49 (5). pp. 403-415. ISSN 0929-8215
Lazzarini, Victor (2000) The SndObj Sound Object Library. Organised Sound, 5 (1). pp. 35-49. ISSN 1355-7718
Lazzarini, Victor (2017) Supporting an Object-Oriented Approach to Unit Generator Development: The Csound Plugin Opcode Framework. Applied Sciences, 7 (10). p. 970. ISSN 2076-3417
Lazzarini, Victor (2018) Vers un Gradus ad Parnassum pour l'Informatique Musicale. Revue francophone d'informatique musicale, 6. ISSN 2261-8589
Lazzarini, Victor (1998) A proposed design for an audio processing system. Cambridge Core, 3 (1). pp. 77-84.
Lazzarini, Victor and Lysaght, Thomas and Timoney, Joseph (2006) Spectral Signal Processing in Csound 5. International Computer Music Association Proceedings, 2006. pp. 392-395. ISSN 2223-3881
Lazzarini, Victor and Timoney, Joseph (2022) Improving the Chamberlin Digital State Variable Filter. Journal of the Audio Engineering Society. pp. 1-11. ISSN 1549-4950
Lazzarini, Victor and Timoney, Joseph (2013) Synthesis of Resonance by Nonlinear Distortion Methods. Computer Music Journal, 37 (1). pp. 35-43. ISSN 0148-9267
Lazzarini, Victor and Timoney, Joseph (2010) Theory and Practice of Modified Frequency Modulation Synthesis. Journal of the Audio Engineering Society, 58 (6). ISSN 1549-4950
Lazzarini, Victor and Timoney, Joseph and Lysaght, Thomas (2008) Nonlinear Distortion Synthesis Using the Split-Sideband Method, with Applications to Adaptive Signal Processing. Journal of the Audio Engineering Society, 56 (9). pp. 684-695. ISSN 1549-4950
Lee, Jennifer (2008) Existentialism and the ‘object of toil’ in Mahler’s Third Symphony. Maynooth Musicology: Postgraduate Journal, 1. pp. 179-194.
Lee, Jennifer (2009) Time as a circular spectrum and the retrospective device in Gustav Mahler’s Symphony no. 3 (1895-1896). Maynooth Musicology: Postgraduate Journal, 2. pp. 88-101.
Morris, Christopher (2002) 'Alienated From His Own Being': Nietzsche, Bayreuth and the Problem of Identity. Journal of the Royal Musical Association, 127. pp. 85-116. ISSN 0269-0403
Morris, Christopher (2019) Casting Metal: Opera Studies after Humanism. Opera Quarterly, 35 (1-2). pp. 77-95. ISSN 0736-0053
Morris, Christopher (2010) Digital Diva: Opera on Video. Opera Quarterly, 26 (1). pp. 96-119. ISSN 0736-0053
Morris, Christopher (2015) Figaro Dances, Opera Dances: Response to Rebecca Schneider. The Opera Quarterly, 31 (3). pp. 170-175.
Morris, Christopher (2015) The Mute Stones Sing: Rigoletto Live from Mantua. TDR: The Drama Review, 59 (4). pp. 51-66. ISSN 1054-2043
Morris, Christopher (2003) Review Essay: Songs of the Living Dead. 19th Century Music, 27 (1). pp. 74-93. ISSN 1533-8606
Morris, Christopher (2001) "Sympathy with Death": Narcissism and Nostalgia in the Post-Wagnerian Orchestra. The Musical Quarterly, 85 (1). pp. 85-116.
Morris, Christopher (2011) Wagnervideo. Opera Quarterly, 27 (2-3). pp. 235-255. ISSN 0736-0053
Murphy, Estelle (2016) 'Inspire us genius of the day': Rewriting the Regent in the Birthday Ode for Queen Anne, 1703. Eighteenth-Century Music, 13 (1). pp. 51-72. ISSN 1478-5706
Murphy, Estelle (2017) ‘Liveridge is in Ireland’: Richard Leveridge and the Earliest Surviving Dublin Birthday Odes. Music and Letters, 98 (1). pp. 32-73. ISSN 0027-4224
Murphy, Estelle (2014) Review: Johann Christoph Pepusch: Concertos and Overtures for London: The Harmonious Society of Tickle-Fiddle Gentlemen / Robert Rawson, Ramée RAM 1109, 2012; one disc, 59 minutes. Eighteenth-Century Music, 11 (2). pp. 312-314. ISSN 1478-5706
Nestor, Emer Patricia (2008) Tchaikovsky’s Romeo and Juliet : A Schleiermacherian Interpretation. Maynooth Musicology: Postgraduate Journal, 1. pp. 195-214.
O'Connell, Pat (2008) A Wind-Band in Cork in the first decade of the 1800s. Maynooth Musicology: Postgraduate Journal, 2. pp. 102-118.
O'Connor, Jennifer (2008) The Growth of Female Piano Pedagogy in Nineteenth-Century Dublin and Annie Curwen’s Pianoforte Method. Maynooth Musicology: Postgraduate Journal, 1. pp. 59-77.
O'Connor, Jennifer (2009) The promotion of music in Dublin: women’s lectures and articles supporting the city’s musical development. Maynooth Musicology: Postgraduate Journal, 2. pp. 119-139.
Pakarinen, Jyri and Valimaki, Vesa and Fontana, Federico and Lazzarini, Victor and Abel, Jonathan (2011) Recent Advances in Real-Time Musical Effects, Synthesis, and Virtual Analog Models. EURASIP Journal on Advances in Signal Processing. ISSN 1687-6172
Palmer, Fiona (2009) Robert Beale, Charles Hallé: A Musical Life (Review). Journal of the Society for Musicology in Ireland, 4. pp. 97-100.
Palmer, Fiona (2017) NABMSA Review: Bedford’s Musical Society: A History of Bedford’s Choral Society . Michael Benson, with an introduction by Donald Burrows. Woodbridge, UK and New York: Boydell Press, 201 5. ii + 289pp. ISBN 978 - 0 - 8515 - 5081 - 7 (hardcover). NABMSA Reviews, 4 (1). pp. 3-6.
Palmer, Fiona (2005) Publishing Music from the Fitzwilliam Museum, Cambridge: The Work of Vincent Novello and Samuel Wesley in the 1820s. Journal of the Royal Musical Association, 130 (1). pp. 38-73. ISSN 0269-0403
Palmer, Fiona (2014) Review : Jennifer Oates, Hamish MacCunn (1868-1916): A Musical Life. Farnham, Surrey; Burlington, VT: Ashgate, 201 3. xvi + 270 pp. ISBN 978-0-7546-61 83-2. NABSMA Reviews, 1 (2). pp. 6-9.
Palmer, Fiona (2021) The musical conductor's association: collective podium power in wartime Britain? Music and Letters. ISSN 0027-4224
Palmer, Fiona and Traill, John and Ponchione-Bailey, Cayenna (2020) Positioning “conducting studies” in 2020 – where are we and where can we go? Music Performance Research, 10. i-viii. ISSN 1755-9219
Palmese, Michael (2019) A Portrait of John Adams as a Young Man: The 1970s Juvenilia. American Music, 37 (2). pp. 229-256. ISSN 0734-4392
Parker, Lisa (2008) Robert Prescott Stewart as a music educator in Dublin in the latter-half of the nineteenth century. Maynooth Musicology: Postgraduate Journal, 1. pp. 1-27.
Pekonen, Jussi and Lazzarini, Victor and Timoney, Joseph and Kleimola, Jari and Valimaki, Vesa (2011) Discrete-Time Modelling of the Moog Sawtooth Oscillator Waveform. EURASIP Journal on Advances in Signal Processing (785103). ISSN 1687-6172
Placanica, Francesca (2012) Mercadante in Paris (1835-36): The Critical View. Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap, 66. pp. 151-166. ISSN 1946-2016
Placanica, Francesca (2018) Recital I (for Cathy): A Drama ‘Through the Voice’. Twentieth-Century Music, 15 (3). pp. 359-397. ISSN 1478-5730
Placanica, Francesca (2018) The Unsung One: The Performer’s Voice in Twentieth-century Musical Monodrama. Journal of Musicological Research, 37 (2). pp. 119-140. ISSN 0141-1896
Ren, Meng (2008) Mahler’s Concept of Chinese Art in his Das Lied von der Erde. Maynooth Musicology: Postgraduate Journal, 1. pp. 154-178.
Scahill, Adrian (2009) Riverdance: Representing Irish Traditional Music. New Hibernia Review, 13. pp. 70-76.
Scahill, Adrian (2019) The album and the musical work in Irish folk and traditional music, ca. 1955-70. Eire - Ireland, 54 (1-2). pp. 17-45. ISSN 0013-2683
Smith, Adrian (2009) Minimalism: towards a definition. Maynooth Musicology: Postgraduate Journal, 2. pp. 236-250.
Sofer, Danielle (2018) Breaking Silence, Breaching Censorship: “Ongoing Interculturality” in Alice Shields's Electronic Opera Apocalypse. American Music, 36 (2). pp. 135-162. ISSN 0734-4392
Sofer, Danielle (2017) The Macropolitics of Microsound: Gender and sexual identities in Barry Truax’s "Song of Songs". Cambridge Core, 23. pp. 80-90.
Sofer, Danielle (2018) The Macropolitics of Microsound: Gender and sexual identities in Barry Truax’s Song of Songs. Organised Sound, 23 (1). pp. 1-11. ISSN 1355-7718
Strahan, Barbara (2009) Music of a lesser genre? Schubert’s development and transformation of the piano duet medium. Maynooth Musicology: Postgraduate Journal, 2. pp. 19-39.
Timoney, Joseph and Lazzarini, Victor and Naji, Jeneen (2012) INTERCEPT – Interdisciplinary New Technologies for Entrants to Reinforce Creativity, Enthusiasm, and Practical Thinking. Teaching Fellowships 2012 – 2013. pp. 18-19.
Timoney, Joseph and Lazzarini, Victor and Pekonen, Jussi and Välimäki, Vesa (2009) Spectrally rich phase distortion sound synthesis using an allpass filter. Acoustics, Speech and Signal Processing, 2009. ICASSP 2009. IEEE International Conference on . pp. 293-296. ISSN 1520-6149
Timoney, Joseph and O'Leary, Sean and Czesak, Dawid and Lazzarini, Victor and Conway, Eoghan and Ward, Tomas E. and Villing, Rudi (2015) The BeatHealth Project: Application to a Ubiquitous Computing and Music Framework. Journal of Cases on Information Technology, 17 (4). pp. 29-52. ISSN 1548-7717
Timoney, Joseph and Pekonen, Jussi and Lazzarini, Victor and Valimaki, Vesa (2014) Dynamic Signal Phase Distortion Using Coefficient-Modulated Allpass Filters. Journal of the Audio Engineering Society, 62 (9). pp. 596-610. ISSN 1549-4950
Watson, Laura (2008) Review. Simon-Pierre Perret and Marie-Laure Ragot: Paul Dukas. Journal of the Society for Musicology in Ireland , 4. pp. 23-26.
Watson, Laura (2015) Axel Klein, O’Kelly: An Irish Musical Family in Nineteenth-Century France. Norderstedt: BoD, 2014. 493 pages. e49.90 EUR. (Book Review). Irish University Review, 45 (2). pp. 396-399. ISSN 1755-6198
Watson, Laura (2022) Born to Run : The Transmedia Evolution of the Bruce Springsteen Memoir from Book to Stage and Screen. Popular Music and Society, 45 (3). pp. 279-299. ISSN 0300-7766
Watson, Laura (2010) Dukas's 'Victory': a cultural and political reading of a post-WWI manuscript. Musical Times, 1. ISSN 0027-4666
Watson, Laura (2016) Epitaph for a Musician: Rhoda Coghill as Pianist, Composer and Poet. Journal of the Society for Musicology in Ireland, 11. pp. 3-23. ISSN 1649-7341
Watson, Laura (2022) Feminist Musical Activism in Ireland (2016–21) and Feminist Musicology. Ethnomusicology Ireland, 8. pp. 1-22. ISSN 2009-4094
Watson, Laura (2018) Fifty Shades of Bluebeard? Dukas’s Ariane et Barbe-Bleue in the Twenty-First Century. Twentieth-Century Music, 15 (3). pp. 399-438. ISSN 1478-5730
Watson, Laura (2015) Phyllis Weliver and Katharine Ellis, eds, Words and Notes in the Long Nineteenth Century (Woodbridge: The Boydell Press, 2013). xii1256 pp. £55.00. (Book Review). Nineteenth Century Music Review, 12 (1). pp. 165-169. ISSN 1479-4098
Watson, Laura (2015) Sexism and the Leaving Cert. Music Syllabus. The Journal of Music. ISSN 2009-2059
da Silva, Floriano Pinheiro da Silva and Keller, Damian and da Silva, Edemilson Ferreira and Pimenta, Marcelo Soares and Lazzarini, Victor (2013) Everyday Musical Creativity: exploratory study of ubiquitous musical activities. Música Hodie, 13 (1). pp. 64-79. ISSN 1676-3939
Byrne Bodley, Lorraine (2011) Die Tücken des Musiktheaters: Anna Amalias Vertonung von Goethes Erwin und Elmire. In: Anna Amalia Herzogin von Sachsen-Weimar-Eisenach 1739–1807 Erwin und Elmire 1776 (70’). Furore Verlag. ISBN 979-0-50182-383-5
Byrne Bodley, Lorraine (2015) From Mythology to Social Politics: Goethe’s Proserpina with Music by Carl Eberwein. In: Musical Receptions of Greek Antiquity: From the Romantic Era to Modernism. Cambridge Scholars Publishing. ISBN 978-1-4438-8828-8
Byrne Bodley, Lorraine (2008) Goethe and Schubert: Claudine von Villa Bella— conflict and reconciliation. In: The Unknown Schubert. Taylor & Francis (Routledge). ISBN 9780754661924
Byrne Bodley, Lorraine (2015) In pursuit of a single flame: Fanny Hensel's "Musical Salon". In: Women and the Nineteenth-Century Lied. Ashgate Publishing. ISBN 9781472430250
Byrne Bodley, Lorraine (2008) Late style and the paradoxical poetics of the Schubert–Berio Renderings. In: The Unknown Schubert. Ashgate, pp. 233-249. ISBN 9780754661924
Byrne Bodley, Lorraine (2014) The Poetic Muse: Goethe, Schubert and the Art of Song. In: The Schubert Project: Bringing Schubert’s Vienna to Oxford. Oxford Lieder Festival.
Byrne Bodley, Lorraine (2010) ‘An old man young or a young man old?’: On Goethe’s Friendship with Felix Mendelssohn. In: Musicologie sans frontières / Muzikologija bez granice / Musicology without Frontiers: Svecani zbornik za Stanislava Tuksara / Essays in Honour of Stanislav Tuksar. Croatian Musicological Society, Zagreb. ISBN 978-953-6090-44-0
Hood, Alison (2010) Intraopus connections in Chopin's Nocturnes, Opus 27. In: The source of Chopin's style inspirations and contexts. Narodoy Instytut Fryderyka Chopina, Warszawa, pp. 371-385. ISBN 9788391741078
Hood, Alison (2007) Tonal and rhythmic hidden repetition in chopin's prelude, Op.28 no.14. In: Chopin in Paris: the 1830s. Narodowy Instytut Fryderyka Chopina, pp. 203-213. ISBN 9788391741092
Lazzarini, Victor (2017) The Csound Plugin Opcode Framework. In: Proceedings of the 14th Sound and Music Computing Conference 2017. Aalto University, Helsinki, pp. 267-274. ISBN 978-952-60-3729-5
Lazzarini, Victor (2017) On the Development of C++ Instruments. In: Linux Audio Conference 2017: Proceedings. University Jean Monnet (UJM), pp. 133-140.
Lazzarini, Victor (2017) The design of a lightweight DSP programming library. In: Proceedings of the 14th Sound and Music Computing Conference 2017. Aalto University, Helsinki, pp. 5-12. ISBN 978-952-60-3729-5
Murphy, Estelle (2015) “Sing Great Anna’s Matchless Name” Images of Queen Anne in the Court Ode. In: Queen Anne and the Arts. Transits: Literature, Thought & Culture, 1650–1850 . Bucknell University Press, pp. 205-226. ISBN 9781611486315
O Keeffe, Linda (2010) Sound is Not a Simulation: Methodologies for Examining the Experience of Soundscapes. In: Game Sound Technology and Player Interaction: Concepts and Developments. Information Science Reference (an imprint of IGI Global), USA, pp. 44-58. ISBN 161692828X
Palmer, Fiona (2016) Conductors and Self-Promotion in the British Nineteenth-Century Marketplace. In: The Idea of Art Music in a Commercial World, 1800-1930. Boydell Press, Woodbridge, pp. 130-149. ISBN 9781783270651
Palmer, Fiona (2015) The Large-Scale Oratorio Chorus in Nineteenth-Century England. Choral Power and the Role of Handel's Messiah. In: Choral Societies and Nationalism in Music. SPIN Brill, Leiden, pp. 99-110. ISBN 9789004300842
Watson, Laura (2015) Ireland in the Musical Imagination of Third Republic France. In: France and Ireland: Notes and Narratives. Reimagining Ireland (66). Peter Lang, Bern, pp. 91-110. ISBN 9783034319140
Yi, Steven and Lazzarini, Victor and Dannenberg, Roger and ffitch, John (2014) Extending Aura with Csound Opcodes. In: Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos. Elsevier B.V., pp. 1542-1549. ISBN 9789604661374
ffitch, John and Lazzarini, Victor and Yi, Steven (2013) Csound6: old code renewed. In: Linux Audio Conference 2013 (LAC 2013). Institute of Electronic Music and Acoustics, University for Music and Performing Arts Graz, Austria, pp. 69-75. ISBN 9783902949004
UNSPECIFIED (2004) An Early Seventeenth-Century Library from Ulster: Books on Music in the Collection of Lord Edward Conway (1602-1655). In: UNSPECIFIED.
Bunzel, Anja (2013) 'Johanna Kinkel’s Thurm und Fluth (Opus 19, No. 6): Revolutionary Ideas and Political Optimism in a 19th‐Century Art Song’. In: The National Element in Music, 18-20 January 2013, Athens, Greece.
Costello, Ed and Yi, Steven and Lazzarini, Victor and Timoney, Joseph (2014) CsoundEmscripten: An Audio Software API for the Web. In: Irish Sound Science Technology Convocation 2014, August 28th-29th, 2014, Maynooth University, Maynooth, Ireland.
Costello, Edward and Lazzarini, Victor and Timoney, Joseph (2013) A streaming audio mosaicing vocoder implementation. In: Proc. of the 16th Int. Conference on Digital Audio Effects (DAFx-13), 02/09/2013 - 05/09/2013, Maynooth, Ireland.
Costello, Edward and Ye, Yuhang and Timoney, Joseph and Lazzarini, Victor (2014) Audio Transformations for the Enhancement of a Multiband Mosaicing Algorithm and Textures. In: Irish Sound Science Technology Convocation 2014, August 28th-29th, 2014, Maynooth University, Maynooth, Ireland.
Glover, John C. and Lazzarini, Victor and Timoney, Joseph (2012) Metamorph: Real-Time High-Level Sound Transformations Based On A Sinusoids Plus Noise Plus Transients Model. In: DAFX-12 the 15th Int. Conference on Digital Audio Effects, September 17-21 2012, York, Uk.
Glover, John C. and Lazzarini, Victor and Timoney, Joseph (2011) Python for audio signal processing. In: Linux Audio Conference 2011, May 6-8 2011, Maynooth, Ireland.
Glover, John C. and Lazzarini, Victor and Timoney, Joseph (2012) Real-time segmentation of the temporal evolution of musical sounds. In: Acoustic 2012 Hong Kong, May 13-18, Hong Kong.
Goulart, Antonio and Queiroz, Marcelo and Timoney, Joseph and Lazzarini, Victor (2019) CPU consumption for AM/FM audio effects. In: 17th Linux Audio Conference (LAC-19), 23-26 March 2019, Stanford University, USA.
Goulart, Antonio and Queiroz, Marcelo and Timoney, Joseph and Lazzarini, Victor (2018) Interpretation and control in AM/FM-based audio effects. In: Proceedings of the 21st International Conference on Digital Audio Effects (DAFx-18), September 4-8 2018, Aveiro, Portugal.
Healy, Tadhg and Lysaght, Thomas and Timoney, Joseph (2003) GUI front-end for spectral warping. In: DAFX-03 the 6th Int. Conference on Digital Audio Effects, September 6-8 2003, London, UK.
Kearney, William (2024) Learning by Ear: Multimodal listening and the Embodiment of Irish Traditional Music and Dance. In: British Forum for Ethnomusicology & International Council for Traditional Music Ireland Joint-Annual Conference, 4-7 April, Cork, Ireland. (Unpublished)
Keller, Damian and Timoney, Joseph and Costalonga, Leandro and Capasso, Ariadna and Tinajero, Patricia and Lazzarini, Victor and Soares Pimenta, Marcelo and Helena De Lima, Maria and Johann, Marcelo (2014) Ecologically grounded multimodal design:The Palafito 1.0 study. In: Joint Conference International Computer Music Conference (ICMC)/ Sound and Music Computing Conference (SMC) 2014, 14-20 September 2015, Athens, Greece.
Kleimola, Jari and Lazzarini, Victor and Timoney, Joseph and Valimaki, Vesa (2010) Phaseshaping oscillator algorithms for musical sound synthesis. In: 7th Sound and Music Computing Conference, July 21-24 2010, Barcelona, Spain.
Kleimola, Jari and Lazzarini, Victor and Timoney, Joseph and Valimaki, Vesa (2011) Vector Phase Shaping Synthesis. In: Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11), September 19-23, Paris, France.
Lazzarini, Victor and Kleimola, Jari and Timoney, Joseph and Valimaki, Vesa (2011) Aspects of Second-order Feedback AM synthesis. In: International Computer Music Conference (ICMC) 2011, July 31 - August 5 2011, Huddersfield, UK.
Lazzarini, Victor and Timoney, Joseph (2010) New Perspectives on Distortion Synthesis for VA Oscillators and Resonance Emulation. In: Irish Audio Workshop, January 28, 2010, Music Department, NUI Maynooth, Co. Kildare, Ireland. (Unpublished)
Lazzarini, Victor and Timoney, Joseph (2009) New methods of formant analysis-synthesis for musical applications. In: International Computer Music Conference (ICMC) 2009, August 16 - August 21 2009, Montreal, Canada.
Lazzarini, Victor and Timoney, Joseph (2012) Synthesis of Resonant Sounds with a Heterodyne Model. In: DAFX-12 the 15th Int. Conference on Digital Audio Effects , September 17-21 2012, York, Uk.
Lazzarini, Victor and Timoney, Joseph (2011) The ModFM synthesis vocoder. In: International Computer Music Conference (ICMC) 2011, July 31 - August 5 2011, Huddersfield, UK.
Lazzarini, Victor and Timoney, Joseph and Lysaght, Thomas (2007) Adaptive FM Synthesis. In: DAFX-07 the 10th Int. Conference on Digital Audio Effects, September 10-15 2007, Bordeaux, France.
Lazzarini, Victor and Timoney, Joseph and Lysaght, Thomas (2005) Alternative analysis-synthesis approaches for timescale, frequency and other transformations of musical signals. In: DAFX-05 the 8th Int. Conference on Digital Audio Effects, September 20-22 2005, Madrid, Spain.
Lazzarini, Victor and Timoney, Joseph and Lysaght, Thomas (2002) New SoundObj Library Classes for sinusoidal modelling. In: DAFx-02 - the 5th Int. Conference on Digital Audio Effects , September 26-28 2002, Hamburg, Germany.
Lazzarini, Victor and Timoney, Joseph and Lysaght, Thomas (2008) Split-Sideband synthesis. In: International Computer Music Conference (ICMC) 2008, August 24-29 2008, Queen's University Belfast, Belfast, UK.
Lazzarini, Victor and Timoney, Joseph and Lysaght, Thomas (2006) Streaming Frequency-domain DAFX in Csound5. In: DAFX-06 the 9h Int. Conference on Digital Audio Effects, September 18-20 2006, Montreal, Canada.
Lazzarini, Victor and Timoney, Joseph and Lysaght, Thomas (2005) Time-stretching using the instantaneous frequency distribution and partial tracking. In: International Computer Music Conference (ICMC) 2005, September 5-9 2005, Barcelona, Spain.
Lazzarini, Victor and Yi, Steven and Timoney, Joseph (2012) Digital Audio Effects on Mobile Platforms. In: DAFX-12 the 15th Int. Conference on Digital Audio Effects, September 17-21 2012, York, Uk.
Lazzarini, Victor and Yi, Steven and Timoney, Joseph and Keller, Damian and Pimenta, Marco (2012) The Mobile Csound platform. In: International Conference on Computer Music (ICMC) 2012, September 9-14 2012, Ljubljana, Slovakia.
Lazzarini, Victor and Keller, Damian and Kuhn, Carlos and Pimenta, Marco and Timoney, Joseph (2014) Prototyping of Ubiquitous Music Ecosystems. In: Fifth Workshop on Ubiquitous Music (V UbiMus): From Digital Arts to Ubiquitous Music, 29 October - 1 November 2014, Vitoria, Brazil.
Lazzarini, Victor and Timoney, Joseph (2019) The Analogue Computer as a Voltage-Controlled Synthesiser. In: Workshop on Ubiquitous Music (UbiMus 2019), 18 October 2019, Marseille, France.
Lazzarini, Victor and Timoney, Joseph and Byrne, Shane (2014) Building a synthesizer using Csound and the Intel Galileo: towards an Internet of Things music programming environment. In: Intel Ireland Research Conference, 18th November 2014, Dublin, Ireland.
Lazzarini, Victor and Timoney, Joseph and Lysaght, Thomas (2008) Asymmetric-spectra methods for Adaptive FM synthesis. In: DAFX-08 the 11th Int. Conference on Digital Audio Effects, September 1-4 2008, Espoo, Helsinki, Finland.
Lazzarini, Victor and Timoney, Joseph and Lysaght, Thomas (2008) A modified FM synthesis approach to bandlimited signal generation. In: DAFX-08 the 11th Int. Conference on Digital Audio Effects, September 1-4 2008, Espoo, Helsinki, Finland.
Lazzarini, Victor and Yi, Steven and Timoney, Joseph (2015) Web Audio: Some Critical Considerations. In: Proceedings of the VI Ubiquitous Music Workshop, 2015, Vaxjo, Sweden.
Lazzarini, Victor and ffitch, John and Timoney, Joseph and Bradford, Russell (2014) Streaming Spectral Processing with Consumer-level Graphics Processing Units. In: 17th International Conference on Digital Audio Effects (DAFx-14), 1-5 September 2014, Erlangen, Germany. (Unpublished)
Lysaght, Thomas and Lazzarini, Victor and Timoney, Joseph (2005) A streaming object-oriented implementation of the modal distribution. In: International Computer Music Conference (ICMC) 2005, September 5-9 2005, Barcelona, Spain.
Lysaght, Thomas and Timoney, Joseph (2003) A Graph-Theoretic Approach to Timbre Matching. In: IX Brazilian Symposium on Computer Music, August 6-8 2003, Campinas, Brazil.
Lysaght, Thomas and Timoney, Joseph (2002) Timbre Morphing using the Modal Distribution. In: 5th Int. Conference on Digital Audio Effects (DAFx-02), September 26-28 2002, Hsmburg, Germany.
Lysaght, Thomas and Timoney, Joseph and Lazzarini, Victor (2012) Automatic Partial Extraction from the Modal Distribution. In: DAFX-12 the 15th Int. Conference on Digital Audio Effects, September 17-21 2012, York, Uk.
Lysaght, Thomas and Timoney, Joseph and Lazzarini, Victor (2007) Modal distribution synthesis from sub-sampled autocorrelation function. In: DAFX-07 the 10th Int. Conference on Digital Audio Effects, September 10-15 2007, Bordeaux, France.
Lysaght, Thomas and Vernon, David and Timoney, Joseph (2000) Subgraph Isomorphism applied to feature correspondence in timbre morphing. In: Irish Signals and Systems Conference 2000, June 29-30 2000, University College Dublin, Ireland.
Timoney, Joseph and Brown, Stephen and Voigt, Robert and Lazzarini, Victor (2012) An Architecture for the Java VST Wrapper that supports the Implementation of Digital Sound Synthesis Algorithms in an Educational Environment. In: Irish Signals and Systems Conference 2012, June 26 - July 1 2012, NUI Maynooth.
Timoney, Joseph and Lazzarini, Victor (2012) A Homomorphic Interpretation of the Complex Fm Expansion. In: AES 45th Conference on Applications of Time-Frequency Processing in Audio, March 1-4 2012, Helsinki, Finland.
Timoney, Joseph and Lazzarini, Victor (2011) Exponential Frequency Modulation Bandwidth Criterion for Virtual Analog Applications. In: Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11), September 19-23, Paris, France.
Timoney, Joseph and Lazzarini, Victor (2011) Saturation non-linearities for Virtual Analog filters. In: Forum Acusticum 2011, June 26 - July 1, Aalborg, Denmark.
Timoney, Joseph and Lazzarini, Victor (2012) Virtual Analog Oscillator Hard Synchronisation: Fourier series and an efficient implementation. In: DAFX-12 the 15th Int. Conference on Digital Audio Effects, September 17-21 2012, York, Uk.
Timoney, Joseph and Lazzarini, Victor and Carty, Brian and Pekonen, Jussi (2009) Phase and Amplitude Distortion Methods for Digital Synthesis of Classic Analogue Waveforms. In: Audio Engineering Society 126th Convention, May 7-10 2009, Munich, Germany.
Timoney, Joseph and Lazzarini, Victor and Gibney, Anthony and Pekonen, Jussi (2010) Digital Emulation of Distortion Effects by Wave and Phase Shaping Methods. In: DAFX-10 the 13th Int. Conference on Digital Audio Effects, September 6-10 2010, Graz, Austria.
Timoney, Joseph and Lazzarini, Victor and Lysaght, Thomas and Kleimola, Jari and MacManus, Lorcan (2011) Considerations for a Computational Estimation of the Complex FM Spectrum. In: Irish Sound Scienc Technology Conference 2011, August 10-11 2011, University of Limerick, Limerick, Ireland.
Timoney, Joseph and Lysaght, Thomas (2001) EPS models of AM-FM vocoder output for new sounds generations. In: DAFX-01 the 4th Int. Conference on Digital Audio Effects, December 6-8, 2001, University of Limerick, Limerick, Ireland.
Timoney, Joseph and Lysaght, Thomas and Lazzarini, Victor and MacManus, Lorcan (2005) Comparing synthetic and real templates for dynamic time warping to locate partial envelope features. In: DAFX-05 the 8th Int. Conference on Digital Audio Effects, September 20-22 2005, Madrid, Spain.
Timoney, Joseph and Lysaght, Thomas and Lazzarini, Victor and MacManus, Lorcan (2005) Partial Envelope Analysis with Nonnegative Matrix Factorization. In: 5th Electronic Circuits and Systems Conference , September 8-9 2005, Bratislava, Slovakia.
Timoney, Joseph and Lysaght, Thomas and MacManus, Lorcan and Lazzarini, Victor (2005) An evaluation of warping techniques applied to partial envelope analysis. In: International Computer Music Conference (ICMC) 2005, September 5-9 2005, Barcelona, Spain.
Timoney, Joseph and Lysaght, Thomas and MacManus, Lorcan and Schwarzbacher, Andreas (2004) Dynamic Time Warping for Tin Whistle Partial Envelope Analysis. In: Irish Signals and Systems Conference 2004, June 30 - July 2 2004, Queen's University, Belfast, UK.
Timoney, Joseph and Lysaght, Thomas and Schoenwiesner, Marc and MacManus, Lorcan (2004) Implementing loudness models in Matlab. In: DAFX-04 the 7th Int. Conference on Digital Audio Effects, October 5-8 2004, Naples, Italy.
Timoney, Joseph and ó Póil, Tomas and Lysaght, Thomas and Lazzarini, Victor and Voight, Robert (2012) Analysis tools and Results for a Subtractive Synthesis Modelling of the Irish Uilleann Pipes. In: Irish Sound Science and Technology Conference 2012, August 1-2 2012, Cork, Ireland.
Timoney, Joseph and Avci, Kemal and Lazzarini, Victor (2019) Application of a resonance-based signal decomposition to the analysis of subtractive synthesizer filter resonances. In: 146th Audio Engineering Society Convention, 20-23 March 2019, Dublin, Ireland.
Timoney, Joseph and Lazzarini, Victor and Kleimola, Jari and Välimäki, Vesa (2014) Examining the Oscillator Waveform Animation Effect. In: 17th International Conference on Digital Audio Effects (DAFx-14), 1-5 September 2014, Erlangen, Germany. (Unpublished)
Timoney, Joseph and Villing, Rudi and Lazzarini, Victor and Conway, Eoghan and Dawid, Czesak (2015) The BeatHealth Project: Considerations When Moving Technology from the Lab to the Wider World. In: 21st Annual Conference of the Bioengineering Section of the Royal Academy of Medicine in Ireland BINI 2015, 16th - 17th January 2015, Maynooth, Ireland.
Timoney, Joseph and Ward, Tomas E. and Villing, Rudi and Lazzarini, Victor and Conway, Eoghan and Czesak, Dawid (2015) The Beathealth Project: Synchronising Movement and Music. In: V Ubimus, 29th October - 1st November 2014, Vitoria, Brazil.
Yi, Steven and Lazzarini, Victor and Costello, Edward (2018) WebAssembly AudioWorklet Csound. In: Web Audio Conference WAC-2018, 19-21 September 2018, Berlin, Germany.
Byrne Bodley, Lorraine, ed. (2013) A Community of the Imagination: Seóirse Bodley’s Goethe Settings (Acknowledgements, Biographies, Editorial Note and Introduction: Crossing Thresholds). Carysfort Press. ISBN 9781909325319
Byrne Bodley, Lorraine (2009) Goethe and Zelter: Musical Dialogues. Routledge. ISBN 978-0754655206
Sofer, Danielle and Brüstle, Christa (2018) Elizabeth Maconchy: Music as Impassioned Argument. Universal Edition, Vienna - London - New York, -. ISBN 978-3-7024-7562-8
Blunnie, Ailie (2010) Passion and Intellect in the Music of Elizabeth Maconchy DBE (1907–1994). Masters thesis, National University of Ireland Maynooth.
Brady, Sue (2003) The Songs of Sir John Andrew Stevenson. Masters thesis, National University of Ireland Maynooth.
Bridges, Brian (2012) Towards a Perceptually–grounded Theory of Microtonality: issues in sonority, scale construction and auditory perception and cognition. PhD thesis, National University of Ireland Maynooth.
Bunzel, Anja (2017) Johanna Kinkel’s Lieder Compositions as a Socio-Political and Cultural Mirror of Her Time: A Reflective Interpretation. PhD thesis, National University of Ireland Maynooth.
Byrne, Shane (2018) Portfolio of Electroacoustic Compositions with Commentaries. PhD thesis, National University of Ireland Maynooth.
Carty, Brian (2010) Movements in Binaural Space: Issues in HRTF Interpolation and Reverberation, with applications to Computer Music. PhD thesis, National University of Ireland Maynooth.
Commins, Adele (2012) Charles Villiers Stanford's Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 volumes). PhD thesis, National University of Ireland Maynooth.
Connolly, Brian (2016) Playing the Ear: Non-Linearities of the Inner Ear and their Creative Potential. PhD thesis, National University of Ireland Maynooth.
Deacy, Mary Regina (2005) Continental Organists and Catholic Church Music in Ireland, 1860-1960. Masters thesis, National University of Ireland Maynooth.
Feeley, John (2007) Classical Guitar Music by Irish Composers: Performing Editions and Critical Commentary. PhD thesis, National University of Ireland Maynooth.
Ferris, Catherine (2011) The Use of Newspapers as a Source for Musicological Research: A Case Study of Dublin Musical Life 1840–44. PhD thesis, National University of Ireland Maynooth.
Flynn, Angie (2006) Benjamin Britten’s compositions for children and amateurs: cloaking simplicity behind the veil of sophistication. Masters thesis, National University of Ireland Maynooth.
Flynn, Claire (1991) The Creative Art of Clara Schumann (1819-1896). Masters thesis, National University of Ireland Maynooth.
Glover, John C. (2012) Sinusoids, noise and transients: spectral analysis, feature detection and real-time transformations of audio signals for musical applications. PhD thesis, National University of Ireland Maynooth.
Graydon, Philip (1999) Modernism in Ireland and its cultural context in the music and writings of Frederick May, Brian Boydell and Aloys Fleischmann. Masters thesis, National University of Ireland Maynooth.
Halloran, Annemarie (2005) Liszt’s Heroes: An investigation into the Artistic Interdependence of Franz Liszt and his Contemporaries. Masters thesis, National University of Ireland Maynooth.
Halton, Jennifer (2018) Mapping the Cine-Metrololis: Re-defining festival in early modern Florence. PhD thesis, National University of Ireland Maynooth.
Higgins, Paul (2010) Benjamin Britten: Text Setting as Cultural Custodian in Art Song. PhD thesis, National University of Ireland Maynooth.
Higgins, Emma (2015) The mezzo-soprano onstage and offstage: a cultural history of the voice-type, singers and roles in the French Third Republic (1870–1918). PhD thesis, National University of Ireland Maynooth.
Hoban, Piaras (2011) mit-cap-68-kruff for soprano, choir, strings & computer (2009/2011). PhD thesis, National University of Ireland Maynooth.
Holden, Edward (2014) Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium. PhD thesis, National University of Ireland Maynooth.
Johnson, Fergus (2010) The Earl of Kildare An Opera in 3 Acts (2 Vols). PhD thesis, National University of Ireland Maynooth.
Kehoe, Ailbhe (2019) Music in Theatre A portfolio of compositions and accompanying commentary. Masters thesis, National University of Ireland Maynooth.
Kenny, Aisling (2010) Josephine Lang’s Goethe, Heine and Uhland Lieder: Contextualizing her Contribution to Nineteenth-Century German Song. PhD thesis, National University of Ireland Maynooth.
Kiely-Ferris, Catherine Mary Pia (2005) The music of three Dublin musical societies of the late eighteenth and nineteenth centuries: The Anacreontic Society, The Antient Concerts Society and The Sons of Handel. A descriptive catalogue. Masters thesis, National University of Ireland Maynooth.
Leahy, Anne (1987) William Telford: Organ Builder. Masters thesis, National University of Ireland Maynooth.
Lillis, Gerard (1994) The French Organ Toccata from 1874 to 1934. Masters thesis, National University of Ireland Maynooth.
Manning, Peter (2014) Sondheim’s Sweeney Todd: A Study. Masters thesis, National University of Ireland Maynooth.
McCarthy, Darina (2014) Heinrich Bewerunge (1862–1923): A Critical Reassessment of His Life and Influence. PhD thesis, National University of Ireland Maynooth.
McGlynn, Patrick (2014) Interaction Design for Digital Musical Instruments. PhD thesis, National University of Ireland Maynooth.
Morrison, Pádruig John Parry (2023) Finding a Contemporary Voice for Gaelic Art Music in Scotland. PhD thesis, National University of Ireland Maynooth.
Mullan, Cathal (2018) Poetry Into Song: Word-Music Relations in Settings of Goethe's Faust by Wagner and his Contemporaries (1832–1840). PhD thesis, National University of Ireland Maynooth.
Nestor, Emer Patricia (2013) Reinterpreting Pyotr Il’yich Tchaikovsky’s Romeo and Juliet through Hermeneutic Windows. PhD thesis, National University of Ireland Maynooth.
O'Connor, Jennifer (2010) The Role of Women in Music in Nineteenth-Century Dublin. PhD thesis, National University of Ireland Maynooth.
O'Connor, Jennifer (2003) Fanny Arthur Robinson and Annie Patterson: The Contribution of Women to Music in Dublin in the Second Half of the Nineteenth Century. Masters thesis, National University of Ireland Maynooth.
O'Keeffe, John (1988) An Analytical Survey of The Organ Music of Maurice Duruflé (1902-1986). Masters thesis, National University of Ireland Maynooth.
O'Kelly, Kilian (2020) Portfolio of Compositions. PhD thesis, National University of Ireland Maynooth.
O'Sullivan, Louise Mary (2012) Selected Performances and Compositions of the Theresienstadt Ghetto (1941‐1945): An Examination of Music, Memory and Survivance. Masters thesis, National University of Ireland Maynooth.
Parker, Lisa (2009) Robert Prescott Stewart (1825–1894): A Victorian Musician in Dublin. PhD thesis, National University of Ireland Maynooth.
Power, Conor (2024) Composing America: Patriotism, Mythology, and Piety in the Film Scores of John Williams. PhD thesis, National University of Ireland Maynooth.
Rice, John Kenneth (1993) The Life and Work of Thomas Perry. Masters thesis, National University of Ireland Maynooth.
Robinson, Audrey (1996) Anglo-Irish Music in Cork 1750-1800. Masters thesis, National University of Ireland Maynooth.
Ryan, Joseph (1987) The Army School of Music 1922 - 1940. Masters thesis, National University of Ireland Maynooth.
Scanlon, Emma (2017) Pianism Reimagined: an analytical inquiry of left-hand piano through the career and commissions of Paul Wittgenstein. PhD thesis, National University of Ireland Maynooth.
Sherwin, Elaine Marie (2012) An Edition of the Cathedral Works of Sir John Andrew Stevenson. PhD thesis, National University of Ireland Maynooth.
Shorten, Alison (2016) Prostitution as Power: Selected Works of Lotte Lenya (1910-1940). Masters thesis, National University of Ireland Maynooth.
Smith, Eoin (2012) Portfolio of Compositions with Commentaries. PhD thesis, National University of Ireland Maynooth.
Steer, Roslyn (2022) Beyond Boundaries: The Aesthetics of the Scream in the Music of the Second Viennese School. PhD thesis, National University of Ireland Maynooth.
Strahan, Barbara (2013) (De)Constructing Paradigms of Genre: Aesthetics, Identity and Form in Franz Schubert’s Four-Hand Fantasias. PhD thesis, National University of Ireland Maynooth.
Twomey, Cathal (2020) ‘To Catch the Song’: Word-Setting, Creative Collaboration, and the Reader-Listener in Handel’s English-Language Works. PhD thesis, National University of Ireland Maynooth.
Yi, Steven (2016) Extensible Computer Music Systems. PhD thesis, National University of Ireland Maynooth.
